Pear-shaped vase with cover c. 1764
jacobushalderadriaesensz
minneapolisinstituteofart
ceramic
clear colour scheme
ornate
decorative element
blue colour scheme
3d printed part
ceramic
jewelry design
vase
wearable design
ceramic
cartoon theme
blue on white background
This set of five pear-shaped vases with covers, created by Dutch artist Jacobus Halder Adriaesensz around 1764, are a testament to the intricate artistry of Delftware. Each piece is adorned with a delicate blue and white design, featuring stylized landscapes and figures. The intricate patterns and delicate brushstrokes showcase the Dutch mastery of this decorative art form, while the Chinese-inspired shapes and motifs reflect the enduring influence of Eastern aesthetics on European art.
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The term "garniture" is used to describe a set of ceramic vessels for display on a cabinet, table, or on a chimneypiece mantel, the latter being specified as garniture de cheminée. Garnitures are traditionally made up of several beakers or vases, of alternating baluster and cylindrical shapes. This blue and white garniture is known as a "mirror set" and contains five pieces, the largest number featured in a traditional garniture. It contains three inverted pear-shaped and two cylindrical vases, each with a lid. All of them are decorated with Rococo relief cartouches, each featuring a landscape and a lone woodcutter. The garniture was manufactured by the Greek A factory, one of the most prominent factories in Delft during the 17th and 18th centuries. Its maker, Jacobus Halder Adriaesensz, owned the factory from 1765 until 1768. The introduction and evolution of garniture in the West over the centuries is closely tied to the development of ceramics as a central element of household decoration, sparked by the enthusiasm for Chinese imports in 17th-century Europe and America. While reflecting the look of porcelain, this set is made of more accessible tin-glazed earthenware, known in Holland as Delftware. It reflects a combination of Eastern and Western aesthetics: Chinese tradition is referenced through the classic porcelain forms, blue and white color scheme, and dog finials, while the Rococo decoration and woodcutter scene allude to European culture.
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