Ubekendt kvindeportræt by Andreas Flint

Ubekendt kvindeportræt 1767 - 1824

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print, engraving

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portrait

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pencil drawn

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neoclacissism

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print

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figuration

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form

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line

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portrait drawing

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academic-art

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engraving

Dimensions 62 mm (None) (billedmaal), 87 mm (height) x 78 mm (width) (plademaal)

Curator: This is "Unknown Woman's Portrait," a delicately rendered engraving by Andreas Flint, created sometime between 1767 and 1824. Editor: She’s so proper! Very austere. That ruff collar, the severe profile... feels almost like a Roman coin. But there’s also something so fleeting about her, like a shadow. Curator: Flint's rendering echoes the Neoclassical pursuit of ideal form and line. You know, there is the careful detailing, the economy of line... Everything points towards elegance. I sense a hint of melancholy in that downward gaze. Editor: Yes, the shadows deepen it. Engraving allows for a certain play of light and dark. Look at how the artist used the line work in the background, circular shapes—emphasizing a dark ground as if the subject’s very presence casts a lingering feeling. The Neoclassical ideal is almost undermined by this tangible gloom. Curator: Interesting. For me, that backdrop serves more to frame her. See how that almost theatrical dark contrasts with the lit features? The circular medallion gives her the prominence the sitter no doubt craved, but at what cost, eh? I wonder who she was. Editor: Her anonymity allows her to become an emblem, doesn’t it? That melancholic air almost morphs into an archetype of feminine introspection. Think of countless anonymous portraits of that era and then realize their shared experience, almost the memory of which continues to touch us over centuries... Curator: The power of the collective. She embodies a fleeting moment, suspended in time, caught between public presentation and personal pensiveness, even though her thoughts are hidden. A moment both beautifully specific and beautifully universal, just like us. Editor: Yes! Now you've really made me think. Her symbols, like the circular design and that ruffle around her neck—almost a shield, don’t you think? It has all been carefully placed to have us continue thinking of that person in this certain context, almost a prearranged effect of the portrait on the modern-day viewer... Wonderful.

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