Voorblad zadeltas, versierd met rasterwerk waarbinnen kruisbloemen by Jaffi volk

Voorblad zadeltas, versierd met rasterwerk waarbinnen kruisbloemen c. 1800 - 1900

0:00
0:00

weaving, textile

# 

weaving

# 

textile

# 

geometric

# 

textile design

Dimensions height 60 cm, width 65 cm

Curator: Here we have what is described as the front flap of a saddlebag, probably produced by the Jaffi people between 1800 and 1900. It’s an intricate textile piece, displaying complex weaving techniques. Editor: It looks timeworn, in a good way, and radiates a quiet dignity. The colors, muted reds and blues, convey a sense of age and tradition. The texture looks inviting too! Curator: Absolutely. Consider the historical role of such an object. Saddlebags were not mere accessories but essential tools for nomadic and semi-nomadic communities. This textile provided both utility and artistry for people on the move, reflecting cultural values through their geometric design. It seems to represent abstracted blossoms, can you spot the cross-shaped buds enclosed by larger diamonds? Editor: The symbolism here speaks volumes. The cross is such a powerful signifier! As a universal symbol, it is interesting to observe its multiple appropriations as a visual symbol of divine grace and perhaps something more terrestrial, like a way to connect with natural bounty and beauty? What do you think of that possible convergence? Curator: That reading feels possible and highlights the tension between cultural interpretations, doesn't it? Also, who was it for? Consider how the creator’s gender or social standing influenced its creation, and in whose saddle would it sit, indicating trade status? Each color might tell a small part of a personal story as well as connect with collective beliefs! Editor: Seeing it this way, I'm wondering: What were they carrying, besides material goods? Ideas? Memories? And how did that influence the imagery they chose? This design might offer insights into how they viewed their role within their community. What appears to be just ornamentation could really act as a container for social concepts. Curator: Precisely! Textiles, often dismissed as craft, are powerful vehicles of expression, social and cultural capital and records, as important as paintings or sculptures. Editor: Absolutely! A poignant reminder that art transcends medium, carrying stories of people, place, and history right on its surface.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.