drawing, print, paper, ink
gouache
drawing
water colours
paper
ink
coloured pencil
geometric
history-painting
academic-art
Dimensions height 129 mm, width 171 mm
Jan l' Admiral created this print of the brain with etching and mezzotint. The composition centres on an ovoid form against a deep indigo background, immediately drawing the eye. The skullcap, rendered in soft gradations of white, floats ethereally, bisected by suture lines marked with alphanumeric codes. This image presents the brain not as an organic mass but as a structured entity, categorized and mapped, reflecting the Enlightenment's emphasis on reason and order. The stark contrast between the detailed anatomical drawing and the dark ground creates a sense of scientific observation, yet the subject's pallid luminescence evokes a quasi-religious awe. The graphic coding across the surface suggests a drive to decipher and categorize, reducing the complexity of the human brain to a set of definable markers. This etching is more than a scientific diagram; it's a meditation on knowledge, perception, and the human quest to understand ourselves.
Comments
Around 1735 Jan l’Admiral printed several remarkable anatomical prints in colour, among others on commission for the celebrated physician Frederik Ruysch. For his illustrations of the cerebral membrane (the skull of an unborn child) and a human heart he experimented with ever different colours, and made various versions of them. The objective was to provide medical practitioners with the most precise and realistic images possible.
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