Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above by Marco Dente

Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above 1510 - 1532

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drawing, print, engraving

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portrait

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drawing

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print

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figuration

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form

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11_renaissance

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cupid

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line

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engraving

Dimensions Sheet (Trimmed): 4 3/8 × 6 13/16 in. (11.1 × 17.3 cm)

This engraving, created around 1515-1527 by Marco Dente, captures Galatea escaping Polyphemus. Observe how Cupid is depicted hovering above, ready to strike with his arrow, while Galatea flees on a shell drawn by dolphins. These are potent symbols of love and the sea that stretch back to antiquity. The motif of Venus, or Galatea in this case, riding a shell recurs in art history, notably in Botticelli's "Birth of Venus," yet, the imagery of Cupid with his bow has origins even further back, evolving from simple representations of desire to complex symbols of fate and passion. Consider the emotional weight of the scene, a powerful engagement with themes of desire and escape. Just as Polyphemus's unfulfilled longing stirs a primal response, so too does Galatea's flight evoke an instinctive drive for freedom. This is an image imbued with a profound sense of longing, a powerful force that continues to resonate across time. The cyclical return and adaptation of such symbols, like a recurring dream, reveal the enduring impact of human experience on our collective consciousness.

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