Dimensions: image: 1520 x 2035 mm
Copyright: © Paul Graham; courtesy Pace and Pace/MacGill Gallery, New York | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Paul Graham's "Untitled #38, Woman on Sidewalk, New York," from 2002. It's a photograph, and I'm immediately struck by how isolated the woman looks, almost swallowed by the harsh shadows. What do you see in this piece? Curator: It's a powerful image that speaks volumes about visibility and marginalization. The stark contrast throws light on the individual while the shadows represent systemic neglect. What does it mean to see this woman, and yet, for her to remain unseen by society? Editor: So, it's a comment on social issues, using light and shadow as metaphors? Curator: Precisely. Graham often explores the unnoticed corners of urban life, challenging us to confront uncomfortable realities about poverty, race, and representation. This invites a discussion about whose stories are told and whose are ignored. Editor: I hadn't considered the racial undertones, but that context really shifts my perspective. Curator: Art has the power to reveal these layers, encouraging us to engage critically with the world around us. Editor: That makes this piece even more impactful.
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http://www.tate.org.uk/art/artworks/graham-untitled-38-woman-on-sidewalk-new-york-2002-p80078
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Untitled #38, Woman on Sidewalk, New York, 2002 shows a black woman sitting on a dirty New York pavement in harsh sunlight. She has her back turned to the camera but looks over her shoulder to make eye contact with the viewer. The pavement appears to be otherwise devoid of people. This photograph is from Graham’s series American Night which contrasts the perfection of suburbia with the poor and marginalised communities which exist on the fringes of all that is valued by the so-called American dream, and as such are rendered almost invisible. Gallery label, October 2013