Apollo on a Throne 1679 - 1703

Editor: This is "Apollo on a Throne," an engraving done between 1679 and 1703, attributed to Marguerin Daigremont. It feels intensely decorative; the details are just packed in. What do you see in this piece? Curator: Initially, one observes a distinct hierarchical organization, articulated through a complex interplay of linear forms. The central figure of Apollo, enthroned, is framed by an elaborate architectural and ornamental structure. Notice how the symmetry is almost perfect; however, there are asymmetries introduced, producing a pleasing tension in the piece. Editor: Yes, the asymmetry is interesting! Are you focusing on how it’s put together as a whole? Curator: Precisely. The composition compels us to consider relationships of part to whole. Note the dynamism created by the varied textures and depths, achieved through hatching and cross-hatching. This articulation serves to guide the eye and delineate the boundaries of forms. The very medium -- print -- creates a remove from immediate human touch. Do you perceive any dissonance between the rigidity of the geometric structure and the organic fluidity of the Baroque motifs? Editor: I do see that now – a kind of push and pull. So, understanding the artist’s technique gives you insights. Curator: Indeed. Through careful formal analysis, the artistic decisions regarding line, texture, and form come to the fore, creating an avenue toward grasping meaning, whether the artist intended such or not. What a remarkable achievement within the rigid constraints of line engraving! Editor: That makes me appreciate all the choices that went into even just the lines, let alone the imagery. I had only focused on the face in the middle, but seeing all of it now is very rich.