Curator: This is an X-radiograph of the "Virgin," after Il Sassoferrato, residing here at the Harvard Art Museums. An x-ray unveils hidden aspects of this iconic Renaissance image. Editor: It's ghostly, almost ethereal. The Virgin's bowed head and clasped hands speak volumes, even through the starkness of the radiographic image. What do you make of that veiled head? Curator: Veiling, of course, signifies modesty and devotion, key virtues projected onto the Virgin Mary within the socio-religious context of the time. The x-ray technique strips away color, revealing the density of materials and the artist's process. Editor: Precisely. It exposes the underlying structure, the very bones of the image, so to speak. The symbol of the Virgin transcends its aesthetic appeal; here it becomes an almost anatomical study of faith. Curator: Indeed, it highlights the intersection of art, religion, and scientific inquiry. It's a testament to our ongoing investigation into these revered symbols. Editor: Ultimately, this image prompts reflection on layers—visible and unseen—that give meaning to the enduring image of the Virgin.