Zittende oude vrouw 1832 - 1890

Edmond Ramus made this image of a seated old woman in the 19th century using etching and drypoint techniques. Look closely and you'll see the myriad of tiny etched lines that create this portrait. The artist would have painstakingly drawn through a coated metal plate with a sharp needle, exposing the metal beneath. It was then submerged in acid, which bit into the exposed lines, creating grooves that would hold ink. Drypoint is similar, but uses a sharper needle to scratch directly into the plate, leaving a burr that creates a velvety texture when printed. The success of this print relies on the skillful manipulation of these processes, controlling the depth and density of the lines to create tonal variation and capture the likeness of the sitter. In employing these traditional printmaking methods, Ramus engaged with a rich history of reproductive image-making, making art more accessible to a wider audience through mechanical means. It's a reminder that even in fine art, the means of production, the labor involved, and the social context all play a crucial role in shaping our understanding and appreciation of the work.