A Short History of General Wade Hampton, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes by W. Duke, Sons & Co.

A Short History of General Wade Hampton, from the Histories of Generals series of booklets (N78) for Duke brand cigarettes 1888

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drawing, coloured-pencil, print

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portrait

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drawing

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coloured-pencil

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print

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coloured pencil

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watercolour illustration

Dimensions Overall (Booklet closed): 2 3/4 × 1 1/2 in. (7 × 3.8 cm) Overall (Booklet open): 2 3/4 × 2 7/8 in. (7 × 7.3 cm)

Editor: Immediately striking are the blued grays of his Confederate uniform, which create a somber mood despite the ornamental scrollwork edging the portrait. Curator: Yes, this is "A Short History of General Wade Hampton," a colored pencil and print drawing produced around 1888 by W. Duke, Sons & Co. as part of its "Histories of Generals" series for Duke brand cigarettes. It's currently held at the Metropolitan Museum of Art. Editor: Fascinating! The tobacco connection places this portrait within a broader cultural narrative. The uniform, rendered in surprising detail for such a small piece, reminds the viewer of the complex, conflicted history of the American South. Even the golden buttons on the gray bring to mind a faded grandeur. Curator: Precisely, and consider the compositional elements. The subject’s gaze is direct, commanding, but softened by the medium itself. It isn't a sharp, imposing photograph but rather a gentler drawing. Look at the texture of the beard. Editor: The beard serves almost as a visual anchor, doesn't it? It's dense, meticulously rendered, connoting gravitas and perhaps a stubborn refusal to be forgotten. And it offsets the ornamental border, lending weight to an otherwise decorative object. Curator: Agreed. The composition directs us from the curls in his beard up through his eyes to take in the full frame—ornamental and portrait elements become entwined in one symbolic visual of both Hampton the individual, and Hampton as a representative figure of a cultural movement. Editor: Indeed. The "short history" alluded to here speaks volumes. A commodified portrait designed for mass consumption simplifies and arguably sanitizes a tumultuous history into a digestible, marketable image. Curator: The very fact that it's an advertisement is an essential layer of the overall meaning. We can appreciate the aesthetic value without ignoring its inherent social and historical role. It presents a paradox: an individual history packaged for collective consumption. Editor: And through such seemingly simple objects, symbols of a conflicted past endure. Thanks for spotlighting such critical insights for a greater contextual understanding. Curator: Thank you! Looking at art from a fresh perspective illuminates new pathways to appreciation, no matter the piece's original cultural role.

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