Instruments of Power 1931

Curator: Thomas Hart Benton’s 1931 mural, "Instruments of Power," is a striking example of American Regionalism, on display here at the Met. It’s executed in oil paint. Editor: It certainly grabs your attention. I’m struck by its chaotic composition, yet each element is so meticulously rendered. There's a real tension between dynamism and rigid geometry. Curator: Benton was deeply engaged with the social and political landscape of his time. "Instruments of Power" reflects his complex views on American industrialization and progress during the interwar period. Editor: That makes sense, given the inclusion of the locomotive, the airplane, and the airship. These symbols of modernity seem almost to collide, presenting a visual metaphor for progress, but at what cost? Is there something elegiac here? Curator: Absolutely, and don’t forget the electric dynamo near the center. Benton’s work, particularly his murals, often explores the lives of working-class Americans and the impact of industry on their communities. Editor: I’m interested in the interplay between these “instruments of power” and the people who operate them. I wonder who gets to control these technological achievements and who is being affected. The silver framework layered throughout the image adds an interesting depth; it suggests looking *through* technology into other vistas, toward something both exciting and possibly catastrophic. Curator: Benton's style, with its undulating forms and vibrant colors, sought to capture the energy and dynamism of American life. But "Instruments of Power", along with his other works, received critique, some considering them to be too nationalistic or even propagandistic during a time of great social upheaval. Editor: I think, especially now, that critical tension—between hope and hazard, possibility and inequity—remains remarkably relevant. This mural is very good at sparking necessary conversations about power. Curator: Agreed. Benton compels us to confront our complicated relationship with technological advancements and their impact on society, and on labor in particular. Editor: This has offered me some new thoughts about this artist and painting, even with all its contradictions. Curator: It’s an incredibly rich piece of work that keeps offering up new interpretations. Thank you.