Abigael Bromfield Rogers (Mrs. Daniel Denison Rogers) (1753-1791) c. 1784

Curator: Copley's 18th-century portrait presents Abigael Bromfield Rogers against a dramatic sky. The composition and Abigael's direct gaze speak volumes about gender and social positioning at that time. Editor: Wow, her hat is like a whole weather system. That massive plume—it's almost comical, yet she wears it with such composure. It's a bit like she's daring you to laugh. Curator: Indeed, the elaborate attire reflects the social expectations placed upon women of her class. The portrait subtly showcases the complexities of identity, and how it was performed in the social landscape. Editor: I wonder what she really thought about all that finery, the expectations. Was she performing, or truly embracing it? I bet she had some rebellious thoughts swirling beneath that mountain of feathers. Curator: It's an interesting point to ponder, especially given the restricted role of women in civic and political life. This portrait could be seen as both an assertion and a confinement. Editor: I get it. I’m still stuck on the hat though. It's just so… much. It kind of makes me want to write a poem about the absurdity of status and the weight of expectations. Curator: Ultimately, Copley's work compels us to consider the intertwined nature of individual agency and societal constraints. Editor: Yes, and maybe to smile a little at the audacious hats of history, which are a reminder that appearances are never just appearances.