White 19th century

Kubo Shunman created this woodblock print, White, in Japan during the Edo period. This was a time of relative peace and flourishing arts. Shunman, working within the Ukiyo-e tradition, often depicted the refined life of the merchant class and the pleasure quarters. Here, we have a still life, seemingly simple, yet rich with cultural significance. Tea was not just a beverage, but a central element in social and artistic gatherings, symbolizing harmony, respect, purity, and tranquility. The objects, from the tea caddy to the delicate leaves, speak of ritual and aesthetic appreciation. Note the inscription of elegant script; the integration of poetry and image was common in Ukiyo-e prints. These elements come together to evoke a sense of calm and cultivated taste. Shunman uses this intimate portrayal to communicate a deeper understanding of the values and artistic practices of his time. It’s an invitation to consider the quiet beauty found in the everyday, and the cultural meanings we ascribe to it.