Vier reeën by Johannes Tavenraat

Vier reeën 1819 - 1881

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drawing, paper, ink

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drawing

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imaginative character sketch

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toned paper

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light pencil work

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blue ink drawing

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childish illustration

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animal

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landscape

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figuration

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paper

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personal sketchbook

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ink

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ink drawing experimentation

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sketchbook drawing

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watercolour illustration

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sketchbook art

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realism

Dimensions height 222 mm, width 263 mm

Editor: This is "Vier reeën," or "Four Deer," a drawing in ink on paper by Johannes Tavenraat, created sometime between 1819 and 1881. The way the deer are stacked on top of each other, almost fighting, it gives off a chaotic, almost frenzied feeling. What do you see in this piece? Curator: Immediately, I'm struck by how the artist uses a familiar image of deer, often symbols of peace and nature, to create something more dynamic and unsettling. Notice how the overlapping forms almost obscure each other, creating a sense of anxious energy. This visual compression speaks volumes, doesn't it? Deer also have strong symbolic ties across cultures. How might these be playing with or against those cultural understandings? Editor: I hadn't really thought about that tension. I suppose I associate deer more with serenity. So, are you suggesting that Tavenraat is intentionally subverting those established meanings? Curator: Perhaps not intentionally subverting, but certainly layering meaning. Consider the time period – the 19th century was a time of huge social and technological change. Could these jostling, almost fighting deer be a metaphor for societal anxieties, for the way progress can sometimes feel like a struggle, a scramble? Editor: That's fascinating. So the animals aren't just animals; they become carriers of broader anxieties and concerns? Curator: Precisely. Visual symbols rarely exist in a vacuum. The emotional weight they carry, the cultural memory they evoke, shapes our understanding of the work and vice versa. Think of how we perceive a cross or a star today, heavily laden with centuries of significance. What if there wasn't so much happening? What would that say? Editor: I see what you mean. Thinking about cultural context adds a whole new layer of depth. It really pushes you to question initial assumptions. Curator: Exactly! It's about digging beneath the surface, understanding how an artist can imbue a seemingly simple image with complex cultural and psychological weight. Editor: Thank you! This made me rethink my original read of the piece!

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