Kroning van Maria 1602 - 1604

Raffaello Schiaminossi created this engraving of the Coronation of the Virgin around the turn of the 17th century. The image presents us with a complex visual theology: God the Father and Christ the Son, accompanied by the Holy Spirit, crown the Virgin Mary as saints and angels look on. Made in Italy, this print reflects the intense religiosity of the Counter-Reformation. It was a period when the Catholic Church sought to reassert its authority through art and architecture. Notice how the composition emphasizes hierarchy and divine order. God the Father and Christ are enthroned above the clouds. It reinforces the Church's teachings on the Virgin Mary's unique role. By studying religious art, we gain insight into the beliefs, values, and power structures of the time. We can consult theological texts and church records to understand better how this print functioned within its original social and institutional context. Ultimately, it reminds us that art is never neutral.