Openbare vergadering c. 1918 - 1919

Editor: So, this is a poster entitled "Openbare Vergadering," dating from around 1918 or 1919. It’s a print on paper, likely created to promote a public meeting. I’m struck by the clarity of the message and how it evokes the social activism of the time. What do you see in this piece? Curator: Beyond its visual clarity, I view it as a powerful historical document. Consider the socio-political context: created at the tail end of the First World War by the “Committee for Obtaining Women in the Administration of City and Country.” The event promised speakers, a declamation, and violin music, appealing to different tastes, and aimed to gather people for the cause. Notice the emphasis on the phrase “the beginning of peace.” How does that resonate given the era? Editor: It highlights the moment’s anticipation, like a breath of fresh air after immense suffering, promising a better future. The text urges people to oppose militarism and fight for complete disarmament. What about the decision to include women's names? Curator: Absolutely crucial. By listing women speakers, composers, and performers, the poster implicitly challenges the prevailing patriarchal structures and amplifies female voices in the public sphere. Furthermore, the call is to both "women and men" urging participation, suggesting it sought a unified public effort for systemic political and cultural change. Think about its intended impact and influence, in a world on the precipice of profound shifts. Editor: I didn’t fully appreciate how it directly advocates for an equitable power balance! Seeing how both messaging and the inclusion of women shape our understanding is enlightening. Thank you. Curator: Indeed. Analyzing such a piece deepens our awareness of historical struggles for peace and equality and challenges our current perspectives on the role of art in activism.