Beleg van Alkmaar in 1573, gezien vanuit het noorden by Bernardus Gerardus ten Berge

Beleg van Alkmaar in 1573, gezien vanuit het noorden 1861

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drawing, print, engraving

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drawing

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narrative illustration

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narrative-art

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print

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cityscape

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history-painting

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engraving

Dimensions height 274 mm, width 493 mm

Curator: So, here we have “The Siege of Alkmaar in 1573, Seen from the North,” a historical narrative illustration completed as an engraving in 1861 by Bernardus Gerardus ten Berge. Editor: Wow, what strikes me first is this incredible feeling of distance. It’s all in muted grays, giving it almost a dreamlike quality, even though the scene itself looks intensely real. So much happening! Curator: Precisely! The siege of Alkmaar during the Eighty Years’ War represents a crucial moment of Dutch resistance against Spanish rule. It became a symbol of Dutch courage and determination to defend their independence. Consider how historical context affects our understanding of the scene unfolding. Editor: Absolutely! I love how it makes a specific moment in history feel almost mythic. Seeing the city from a bird's-eye view, ringed by troops…it feels both precise and symbolic. Kinda makes you wanna root for the underdogs! Curator: Yes, the artist chose to represent the landscape, military personnel and city with such careful precision, embedding historical context within his artistry. It is an engraving, and as such, it relies on the use of linear detail to portray the narrative. Editor: The choice of monochrome adds something powerful to it. It evokes that feeling of old documents, yellowed photographs – like you’re looking back through time itself! Curator: Moreover, we must think about whose perspective is prioritised. Do we identify more with the besieging army or the inhabitants? Does it subtly impact your reading of the scene? Editor: That's so interesting! The way the figures seem so tiny and spread out across this enormous plain emphasizes how many lives were caught up in this single moment of crisis. Curator: Thinking about resistance in Alkmaar opens up interesting intersectional conversations about national identity, colonization, and historical memory... Editor: Yes, it reminds us of struggles past and present...makes you think! Well, seeing history rendered like this is enough to spark something new in us now! Curator: I agree completely; examining the visual record alongside the socio-political dynamics helps enrich and reframe this particular vision of Dutch resilience.

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