Miyoshin-ji Kyoto (A) 

Kiyoshi Saito made this print of Miyoshin-ji Temple in Kyoto using woodblocks, a technique known as *mokuhanga*. Notice how the material itself influences the appearance of the print. The grain of the wood and the way it absorbs ink create a soft, textured effect, different from a painting or photograph. Each color requires a separate block, carefully carved and aligned to create the final image. Saito was part of the *Sosaku-hanga* movement, which emphasized the artist's complete control over the printmaking process, from drawing the initial design to carving the blocks and printing the final image. This approach aligns with the values of the Arts and Crafts movement, elevating printmaking to a form of fine art, rather than just a commercial technique. The labor-intensive nature of woodblock printing also connects the artwork to wider social issues of work and skill. Ultimately, understanding the materials, the making, and the historical context allows us to appreciate the full meaning of Saito's beautiful print, challenging traditional distinctions between art and craft.