Bange hond aan een touw by Hendrik Adriaan Christiaan Dekker

Bange hond aan een touw 1846 - 1905

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drawing, print, etching, engraving

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drawing

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animal

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print

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etching

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dog

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landscape

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archive photography

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historical photography

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line

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genre-painting

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engraving

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realism

Dimensions height 275 mm, width 367 mm

Curator: Here we have a piece by Hendrik Adriaan Christiaan Dekker, created between 1846 and 1905. This is an etching, engraving and drawing printed on paper depicting a dog tied on the staircase. The work is entitled 'Bange hond aan een touw'. Editor: Gosh, that title hits the nail on the head! The poor fella does look terrified. I wonder what he's so scared of. Is it just the confinement, or something more sinister off-canvas? Curator: Interesting that you hone in on the emotional state. If we consider the composition itself, observe how the linear precision of the steps behind it contrasts sharply with the more blurred texture defining the animal's fur. This juxtaposition creates a certain tension. Editor: Tension indeed! But I feel that tension viscerally. Look at the line of the leash – taught and unforgiving. You can almost feel the dog's desperation in the way he strains against it. Maybe it’s a commentary on societal constraints? Curator: It is compelling to consider external contextual meanings, yet the stark interplay between light and shadow accentuates the inherent materiality of the scene, the texture of the stone versus the softness implied by the dog’s coat. Note too the seemingly arbitrary placement of droppings below the staircase, which creates an imperfect spatial element. Editor: Ah, the droppings. They are strangely prominent! Makes the setting feel all the more grounded, less idealized and all too relatable, don't you think? Perhaps even a darkly humorous commentary on the less savory aspects of life. It's the realism that really grabs me here, capturing a fleeting moment, unvarnished. Curator: Precisely. Through this meticulous and unidealized presentation, Dekker emphasizes the profound connection between medium and subject, echoing realism in terms of the mundane qualities. The essence lies not solely in the scene depicted, but in how that scene embodies a complex network of constructed realities. Editor: Beautifully put! For me, it's more immediate. It’s a raw slice of life, with all the anxiety, humour, and imperfections laid bare—and you can't help but feel a pang of sympathy for that anxious little pup. Curator: I see it now. Your subjective response adds a layer of humanity I previously missed.

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