The Embroideres by Henri Fantin-Latour

The Embroideres 1898

drawing, pencil, charcoal

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pencil drawn

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drawing

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impressionism

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pencil sketch

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charcoal drawing

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figuration

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pencil drawing

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pencil

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pencil work

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genre-painting

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charcoal

Curator: This is "The Embroiderers," a drawing created in 1898 by Henri Fantin-Latour. It appears to be rendered in pencil and charcoal. Editor: It feels quiet, doesn’t it? Like stepping into a hushed room. The tones are so subtle, almost whispering of domestic life. Curator: Absolutely. Fantin-Latour had a penchant for intimate scenes, often portraying the women in his family—his wife and sisters-in-law, usually—engaged in artistic or intellectual pursuits. It's worth noting that "The Embroiderers" follows his established repertoire and focuses predominantly on the theme of figuration and genre painting. Editor: So it's not just the act of embroidery itself, but the implied narrative? Two women bent over their work…the composition pulls your eye to their faces, both marked by intense concentration. One could wonder, what are they thinking about, the younger versus the older one, that one is an apprentice, one the master. The very act, too, requires incredible diligence and patience. Curator: The materiality is quite interesting; notice how the varied strokes—the cross-hatching—build depth. Fantin-Latour plays with light and shadow here—darkening certain parts and adding stark light to the clothing around the table. Editor: Yes! And even though it's a drawing, it feels like a complete world, doesn’t it? All that density achieved with, essentially, lines. In that time, the impressionists are all the rage, using fleeting light, short thick strokes. Meanwhile, here is Henri crafting a different feeling altogether with only a pencil. Curator: What is compelling about the work, also, is how he captured not just their physical appearance but this real sense of quiet contemplation that is unique to artistic practice. Editor: Well, I have certainly felt more contemplative just looking at this, haven’t you? A simple scene, an act so familiar yet filled with emotion. Curator: Indeed! Art is very much so a dialogue, isn’t it? And even an artist that is long dead can spark feelings we were not even expecting!

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