Sunday 

Paul Signac made this painting, titled "Sunday", using oil on canvas. It captures a moment of domesticity, depicting a bourgeois couple in their home, with the wife gazing out the window and the husband tending to the fireplace. Signac, associated with the Neo-Impressionist movement in late 19th-century France, was deeply engaged in the politics of his time. Considering his anarchist leanings, this seemingly simple scene might be read as a subtle commentary on the social structures of the time. The leisurely Sunday activity suggests a critique of the bourgeoisie, a class often seen as detached from the realities of working-class life. This depiction of domesticity could be interpreted as an ironic look at the comforts afforded by a privileged social position, made possible by the hardships endured by others. Art historians often turn to letters, political writings, and other period documents to understand the full meaning of artworks like this, reminding us that art is always contingent on its social and institutional context.