Le Puy 1888 - 1931

Willem Adrianus Grondhout made this print called 'Le Puy' using etching. The surface is a sea of tiny marks, like whispers on paper, building up the image bit by bit. It feels like a fleeting glimpse, not a perfectly rendered scene. I’m drawn to the way Grondhout uses line and shadow to create depth and atmosphere. The marks are so delicate, almost scribbled, and give a sense of movement. Check out how the dark archway frames the scene beyond, with hints of figures and tables. It's like a stage set, inviting us into the story. The use of etching reminds me a little of Piranesi, though Grondhout has a more intimate, less grandiose feel. Both artists share a love for architectural spaces, and transforming them with light and shadow. What do you think?