Untitled (The Constellation Mobile) by Alexander Calder

Untitled (The Constellation Mobile) 1941

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sculpture, mobile

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constructivism

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sculpture

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mobile

Dimensions overall: 86.4 x 106.7 cm (34 x 42 in.)

Curator: Gazing at this image, what immediately strikes you? Editor: Well, this photograph, probably from a collection’s archive, features what looks to be Alexander Calder’s suspended mobile from 1941. At first glance, there’s a sense of… delicacy, almost fragility, in the airy balance it presents. The stark background really highlights the linearity of the piece, with these subtle asymmetries. Curator: You've captured a key part of it! “Untitled (The Constellation Mobile),” emerging from the Constructivist tradition, reflects both a dynamic elegance and broader ideas circulating in America during wartime. Calder subtly engaged with surrealist whimsy but was also very committed to engaging leftist and social-liberal causes during that period. He embraced internationalist ideals which is probably the cause of his affinity to Constructivism. Editor: The shapes! Irregular biomorphic forms in yellows and browns contrast nicely. What’s compelling is how it uses open space as integral composition. The wires are almost drawing lines into that emptiness, like points of orientation which creates a sort of choreography for the eye. It really embraces, with incredible refinement, a playful essence. Curator: Precisely. Looking through a historical lens, the constellation motif is incredibly evocative. Calder’s work from this era has become symbolic, especially when interpreted alongside social movements. The balance in “Untitled (The Constellation Mobile)” becomes emblematic of stability sought during times of turbulence and it alludes to cosmic order within societal chaos. Editor: That contrast is powerful. It has a timeless quality that resonates. Curator: Absolutely, even the colors point to earth and the natural realm while being abstracted beyond overt representation. Editor: Looking closely, I wonder about his conscious choice to juxtapose geometry with those organic shapes... Curator: He definitely played with that dichotomy deliberately to invite audiences to reflect on that tension. Editor: Very insightful, viewing it through that lens definitely illuminates its deeper meaning. Curator: Indeed. It is through an analysis that engages its socio-political climate we are truly allowed to see how rich its symbolic language can become.

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