William Rogers by John Trumbull

William Rogers 1804 - 1808

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painting, oil-paint

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portrait

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neoclacissism

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portrait image

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portrait

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painting

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oil-paint

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portrait reference

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portrait head and shoulder

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portrait drawing

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facial portrait

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academic-art

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portrait art

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fine art portrait

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celebrity portrait

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digital portrait

Dimensions overall: 77.5 x 63.5 cm (30 1/2 x 25 in.) framed: 101.6 x 88.9 x 6.4 cm (40 x 35 x 2 1/2 in.)

Curator: This is John Trumbull’s portrait of William Rogers, painted between 1804 and 1808. Editor: My immediate impression is…power. And perhaps a bit of sternness, captured in the slight furrow of his brow. There’s something almost regal in the way he presents himself, despite the relative simplicity of the composition. Curator: Indeed, it reflects the Neoclassical style Trumbull favored, emphasizing order, reason, and civic virtue. Look at the almost stoic expression—typical of portraiture of that era meant to convey character. I am curious as to which symbols this image holds. Editor: But within that apparent order, I see an underlying narrative that is quite complicated when examining notions of power and class during the early 19th century in America. How does he understand his position, especially as the country attempts to break from aristocratic forms? Curator: He belonged to an emerging intellectual class that valued education and public service. That high white cravat wasn't exactly a symbol of democracy though. Such items hold codes of tradition. Editor: The cravat and dark coat signify a degree of wealth, certainly. Yet there is a sense that he wishes to demonstrate integrity through restraint, an intentional presentation during a period that was wrestling with what post-Revolution leadership would resemble. Curator: The way Trumbull utilizes light, especially the highlighting around Rogers' face, evokes concepts of the “inner man” – a common notion for artists of this period, attempting to signal intelligence. Do you see anything unexpected in the image that perhaps contradicts the symbols that the portrait might want to invoke? Editor: His gaze. There’s something unsettling there. While direct, there's also a subtle guardedness, perhaps indicative of the social anxieties underpinning the early republic. This painting might be speaking not just of individual status but of an elite facing societal uncertainty. The softness of his jaw line indicates perhaps some hidden vice. Curator: A perfect image to illustrate how even seemingly straightforward portraiture can be a rich terrain of societal messages. Editor: Yes, reminding us that even the most traditional art forms carry within them ongoing social dialogues.

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