Perseus Beheading Medusa, VIII 1945

André Racz made Perseus Beheading Medusa, VIII with printmaking, and it's the kind of piece where the process is really upfront. You can see the hand of the artist in every line and layer. I love the way he uses the brown and red colour palette to create a sense of depth and drama. The lines are so energetic, like a seismograph recording an earthquake. Look at the way the lines around Medusa’s head vibrate, like she’s still screaming, even after the beheading. It reminds me of some of Goya's etchings, that same dark, brooding quality. Both artists aren't afraid to tackle the gruesome side of human experience. Ultimately, this piece is a testament to the power of art to grapple with complex emotions. It is a conversation across time about myth, violence, and what it means to be human.