Six Studies of a King for an Adoration 1500 - 1600

This drawing was made anonymously using pen and brown ink with brown wash on paper. The immediacy of the pen strokes captures the dynamic presence of a king in various poses. The artist uses a light wash to add depth and shadow, focusing on the king’s robes. The textures created by the pen and wash emphasize the weight and volume of the fabric, giving the figure a regal presence. This work’s cultural significance comes from its traditional artistic techniques, and the implied labour is clear in the skilled handwork. The choice of materials and techniques reflects both a classical education and a deep engagement with the craft of drawing. The quick movements that the artist was able to capture show a high level of skill in both artistry and design. Ultimately, by focusing on the materials and making of the work we can appreciate the artist's skill and creative process.