Drie zeemannen in een straat by Jean Emile Laboureur

Drie zeemannen in een straat 1921

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drawing, print, etching

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drawing

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street-art

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print

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etching

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caricature

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figuration

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cityscape

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street

Dimensions: height 225 mm, width 298 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have "Three Seamen in a Street," a 1921 etching by Jean Emile Laboureur. Editor: They look… grim, like figures out of some working-class morality play. Heavily stylized. Curator: Indeed. Observe how Laboureur distorts perspective to amplify the figures' monumentality. The buildings tilt and lean, serving to dwarf everything. Semiotically, it could be posited the fishermen are rendered to become metaphorical titans in the mundane arena of a cityscape, juxtaposing their occupational stature against urban claustrophobia. Editor: Or perhaps it's that their presence almost breaks the quiet geometric architecture— their rough-hewn energy juxtaposed with rigid modern city plans. Curator: Precisely. Notice the tonality achieved through delicate hatching and cross-hatching. This imbues the scene with a certain subdued mood and evokes texture from seemingly very few values. Editor: I think I read somewhere that the subject matter points to shifting socio-economic landscapes. Sailors coming in and out of town, bearing cargo and experiences while simultaneously threatening existing social norms. You could feel the movement implied in these broad, bold figures, especially in the way they carry what looks like some sort of shellfish. There is definitely narrative and energy captured here. Curator: And also a commentary. Laboureur is known for using these scenes to say something very poignant and, frankly, sardonic. The composition is brilliant. He very purposefully guides your eye to focus on form through tonal structure. The almost caricatured sailors really do offer insight into a time where economic structures shifted considerably. Editor: Right. Overall, this etching’s combination of the monumental with everyday elements really hits something in the viewer. Even without the benefit of a wider background on Laboureur, you can feel it resonate on its own terms. Curator: It offers much more than the surface reveals, doesn’t it? Editor: Certainly, I think my perspective has deepened significantly!

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