wood
portrait
furniture
wood
decorative-art
Dimensions 35 × 19 1/2 × 18 in. (88.9 × 49.53 × 45.72 cm)
This side chair was designed by Theophil Hansen, likely sometime in the mid-to-late 19th century. It's crafted from wood and upholstery, materials associated with comfort, domesticity, and status. The chair’s wooden frame shows evidence of several kinds of making. Carving, turning, and bending techniques shape the legs, back, and seat support. Upholstery, stretched tight, adds a layer of luxury, hinting at the chair's intended environment within a well-appointed home. The quality of materials and craftsmanship speak to the labor involved. Chairs like this were often produced in workshops, where specialized artisans brought their skills together to create the finished product. The chair reflects a moment in design history when industrialization allowed for the wider production and consumption of stylish furnishings. Yet, at the same time, there’s an embrace of handcraft, seen in the details of the carving. This tension between machine-made and handmade is central to understanding the chair's cultural and social value. It wasn’t just a functional item; it was also a statement of taste and class.
Comments
The playfully counter-curving back feet and the continuous bentwood decoration along the seat, the side rails, and the back of this chair are simplifying elements that are hallmarks of modern design. Hansen took advantage of the bentwood technology developed in the mid-1800s Vienna by the firm Gebruder Thonet, whose patents on steam-bending expired in 1869, making the technology widely available. However, he skillfully worked in aspects of historical styles: a classical anthemion, or decorative design of radiating petals, nestled just below the top rail, and fluted “columns” referencing Egyptian architecture that form the bottom of the chair’s feet.
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