Lauenbergers Genealogischen Kalendar für 1780: Coëffures Berlinoises 1779

Editor: We're looking at "Lauenbergers Genealogischen Kalendar für 1780: Coëffures Berlinoises" created in 1779 by Daniel Nikolaus Chodowiecki. It’s a print made with ink and engraving on paper, currently held at the Rijksmuseum. Looking at the different hairstyles, I am struck by their sheer audacity – like architectural wonders made of hair. What's your take on this parade of powdered extravagance? Curator: Oh, absolutely! They’re like rebellious little monuments to self-expression, aren't they? Each coiffure seems to whisper tales of theatrical dramas and secret rendezvous. But beyond the fluff, what do you think Chodowiecki is trying to capture about the spirit of Berlin at the time? Does it feel satirical or celebratory to you? Editor: Hmm, I see both. There’s definitely an element of caricature, exaggerating the already outlandish fashions. But there’s also a careful rendering of details. I guess, a hint of admiration mixed with wry amusement? Curator: Precisely! The late 18th century was such a delicious cocktail of opulence and impending revolution, wasn’t it? And these hairstyles? They were both a symptom of the social climate and perhaps…a delightful distraction from it? Can you imagine trying to navigate a doorway with one of those creations on your head? Editor: With grace, I presume! I never really considered hair as social commentary before, but this piece makes it so obvious. Thanks! Curator: My pleasure! I find myself wondering if there are parallels to be drawn between these over-the-top styles and our own current fashion obsessions?