Portret van Luise Prinzessin von Preußen by Carl Mayer

Portret van Luise Prinzessin von Preußen 1848 - 1868

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drawing, pencil

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portrait

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pencil drawn

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drawing

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neoclacissism

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pencil sketch

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pencil drawing

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pencil

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portrait drawing

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academic-art

Dimensions: height 107 mm, width 72 mm

Copyright: Rijks Museum: Open Domain

Curator: What a delicate rendering of Louise, Princess of Prussia, dating sometime between 1848 and 1868! It's a portrait made with pencil, now held here at the Rijksmuseum. Editor: Oh, she looks almost ethereally sad. Is it just me, or does that light, airy pencil work make her seem as though she's about to drift right off the page? Curator: I see what you mean. Carl Mayer has captured her with such subtle shading. It’s academic-art, with those neo-classical undertones focusing on idealized beauty. Notice the meticulous detail in her hair, the way it’s swept back, and that single strand escaping so delicately? Editor: Indeed! And look at her dress, sliding off of her shoulders...barely on, if I might add! It's very… coy. It makes me think of the pressures placed upon young royal women – constantly on display, their image a carefully constructed performance of innocence and aristocracy. How exhausting. Curator: Absolutely! It’s interesting to consider that these portraits were tools. This was a time of great social and political upheaval and how the royals presented themselves was a key component to reinforcing power dynamics. I find the restraint Mayer displays intriguing. He balances this vulnerability you mention with the very stoic, traditional conventions of portraiture. Editor: Right. I wonder if Princess Louise had any agency in how she was portrayed? Did she choose that dress or how she looked, or was it all dictated by the patriarchal structures of the time? A somber reminder that even in art, female representation often served power and social agendas. I appreciate her vulnerability, her potential unhappiness. Curator: And yet, Mayer captures something undeniably individual within that framework. He has made it more than just a symbol of status and shows the vulnerability of her human face. It leaves me wondering about who she might have been when not in front of court and a painter's scrutiny. Editor: Definitely food for thought. Makes one appreciate the weight that art bears and also the person.

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