Lilie Sinclair, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Lilie Sinclair, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

0:00
0:00

drawing, print, photography, gelatin-silver-print

# 

portrait

# 

drawing

# 

print

# 

charcoal drawing

# 

photography

# 

gelatin-silver-print

Dimensions Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Curator: Here we have a gelatin-silver print from 1890, a promotional image of the actress Lillie Sinclair from the "Actresses" series, produced by the Kinney Brothers Tobacco Company to market their Sweet Caporal Cigarettes. Editor: She seems completely lost in thought, doesn't she? There's something haunting about the hazy quality of the print, as though she is veiled in mist, just beyond our reach. Curator: These sorts of trade cards served multiple functions. Obviously, advertising a product, but also reflecting a burgeoning celebrity culture. Consider the printing process – mass production allowed them to circulate widely, turning actors into household names. It collapses art, marketing and distribution in one handy piece. Editor: Absolutely! It is a clever merging of performance and commodity, but to me, there is still this striking vulnerability. Perhaps it is the chair? She is so small in such a stiff object that contrasts sharply with her ethereal lace details. It emphasizes her femininity. The studio prop fades into the background—and makes her seem almost ephemeral. Curator: Exactly, and while ostensibly capturing individuality through portraiture, there’s a degree of standardization imposed by the format and the commercial purpose. Her pose and clothing adhere to certain societal expectations. Editor: A doll caught between a role she must embody and a yearning for true self-expression, maybe? Those slightly blurred edges invite so much imagination. This small piece becomes this doorway. Curator: Interesting perspective! I'm especially drawn to how these tobacco companies co-opted artistic genres, like portraiture, to legitimize their products through association with fine art and beauty. There’s an implicit promise: buy our product and you’ll be closer to the refined world depicted here. Editor: So true. This really adds another layer to my observation of artifice versus depth. I wonder what Lillie Sinclair herself would think of all our dissection? Curator: A perfect question to ponder, right as we leave the piece. Thanks for taking us deeper into this fascinating piece of ephemera! Editor: My pleasure. And a lovely puff of smoke to you!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.