Portrait of Daniel-Henry Kahnweiler by Pablo Picasso

Portrait of Daniel-Henry Kahnweiler 1910

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painting, oil-paint

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portrait

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cubism

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painting

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oil-paint

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oil painting

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famous-people

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male-portraits

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history-painting

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modernism

Dimensions 100.5 x 73 cm

Editor: This is Picasso's "Portrait of Daniel-Henry Kahnweiler," painted in 1910, using oil on canvas. It's hard to make out at first, but I see shapes and forms... a person almost hidden within the fractured planes. How do you approach a piece like this? Curator: We must consider the radical shift Picasso embodies. Here, he isn't simply depicting Kahnweiler; he's constructing a representation through the language of Cubism. Look closely at the materials – oil paint, canvas. These aren't passive surfaces; they are active participants in the process of deconstruction and reassembly. How does the grid-like structure reflect the industrialized world and the changing nature of perception itself? Editor: I see the grid you’re talking about! I hadn't considered it reflecting industrialization... So the *process* of making it becomes a commentary? Curator: Precisely! Cubism dismantles traditional perspective, mirroring the fragmentation and instability of the modern experience. Think about the labour involved – the painstaking layering of paint, the intellectual effort of breaking down and reassembling form. What is being produced is more than just a portrait; it’s an intellectual product born out of new social and material conditions. What does Kahnweiler represent in this new world? Editor: I see it! He's not just a man, but an embodiment of a changing world viewed through Picasso’s evolving artistic labor. It’s like… Kahnweiler's identity becomes a manufactured concept too, built piece by piece. Curator: Exactly. By scrutinizing the production of this artwork, from the extraction of pigments to the final brushstroke, we unveil a rich tapestry of meaning woven into the fabric of modern life. How is this reflected back on the labor of the viewer engaging with a Cubist painting, piecing the portrait back together for themselves? Editor: That really changes how I see it. I appreciate learning to look past the subject and think about how art reflects the materials, making, and also how we as consumers complete the cycle.

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