Album met plattegronden en opstanden van paleizen en kerken te Genua 1622

This is the cover of an album of architectural drawings of palaces and churches in Genoa, made by Nicolaes Ryckmans around the early 17th century. The immediate visual impression is of a marbled pattern, flowing in vertical waves of red and blue, overlaid with the stark, contrasting damage of white stains and tears. This interplay between the deliberate marbling and the accidental marks of time creates a dynamic tension. Ryckmans’ choice of a marbled cover, typically used for its decorative quality, is an interesting contrast to the functional, architectural drawings within. The marbling itself, with its non-repeating patterns, mirrors the unique designs of the buildings documented inside. Yet, the stains and tears, a form of unplanned abstraction, disrupt the cover's original aesthetic order. This creates a visual palimpsest, reflecting how layers of history and use alter our perception and appreciation of an object. Consider how this cover, through its form and material, transcends its function as a mere protective layer, evolving into a testament to the passage of time and the changing values we assign to objects.