The Incredulity of Saint Thomas (recto); Sketches of Figures (verso) n.d.

Curator: Let's turn our attention to this intriguing drawing, titled "The Incredulity of Saint Thomas (recto); Sketches of Figures (verso)." It resides here at The Art Institute of Chicago and, while its authorship remains anonymous, it presents a compelling study in figuration and line. Editor: It strikes me as raw, almost hurried. The visible strokes of ink and pencil reveal the artist's process. The scene seems to emerge from the paper rather than being meticulously constructed upon it. Curator: Indeed, the line work is critical here. Notice how the artist uses variations in line weight to suggest depth and volume, particularly in the drapery. The figures are defined by contour lines and internal hatching, creating a sense of sculptural form. We also can identify pen, pencil and graphite being used. What can that indicate? Editor: Possibly layers and different types of the design approach. With the heavy presence of linear elements across the page, maybe the labor-intensive process would give some weight and consideration for how the artwork could or should come together? And perhaps also for future studies and replication of his designs in paintings. Curator: Precisely. Moreover, consider the composition. The artist skillfully arranges the figures to draw our eye towards the central interaction between Christ and Saint Thomas. There’s a real sense of narrative tension. The realism of their moment comes together thanks to the skill in how lines create movement and emotion, which contributes to the history-painting's impact. Editor: Absolutely. Thinking about the material aspects, this drawing would have likely been a preparatory study. Were similar materials widely accessible at that time, indicating a kind of standardized practice within workshops focused on historical narratives like these? It does invite further speculation about the drawing’s journey through different hands. Curator: A relevant question! One worth further investigation beyond our current scope. Editor: Well, after dissecting those figures and lines I’m definitely left with an enriched perspective. Curator: I couldn’t agree more; let's allow the next visitors their own enriching discoveries.