print, engraving
portrait
baroque
old engraving style
engraving
Dimensions height 115 mm, width 90 mm
Curator: Jacob Gole's engraving, "Monnik met een kruis," or "Monk with a Cross," likely from the late 17th or early 18th century, depicts a monk in stark detail, currently held in the Rijksmuseum collection. Editor: The first thing that strikes me is the extreme contrast Gole achieves. The circular framing focuses attention, and there's almost something grotesque about the figure's contorted expression—a peculiar mixture of devotion and something unsettling. Curator: Considering its historical context, particularly the Baroque era's fascination with heightened emotion and the theater of religious experience, this monk can be interpreted as a critical commentary on performative piety within religious orders of the time. The positioning of the cross isn’t necessarily an embrace, but perhaps a burden. Editor: Yes, I see your point. Technically speaking, Gole has mastered line to capture not only the texture of the skin, clothing, and wood of the cross but also to reveal the subject’s inner emotional turmoil. The hatching creates deep shadows, exaggerating the dramatic effect. Curator: This could relate to social satire of the time; the poem inscribed at the bottom reveals how, despite his feigned devotion, he awaits sainthood because of his affected, seemingly devout life. We have to examine societal attitudes toward religious hypocrisy during this period, and to recognize the power structures it could subvert. Editor: Indeed. But let’s also consider the very careful control over the engraving. Gole transforms a rather straightforward religious symbol into an object with strong semiotic impact. This adds another layer, transcending a mere reproduction or critique of religious imagery, entering the space of artistic intervention. Curator: The print functions as a social commentary—one intended for wide distribution and debate. Gole’s subject brings forth considerations regarding sincerity, image, and the power of performativity within religious life. Editor: For me, it's that potent mix of refined skill and unflinching portraiture that makes it linger in the mind. An extraordinary, thought-provoking work, and a technical triumph.
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