Heilige Familie met de jonge Johannes de Doper en een engel by Giulio Bonasone

Heilige Familie met de jonge Johannes de Doper en een engel 1501 - 1580

0:00
0:00

drawing, print, ink, engraving

# 

drawing

# 

ink drawing

# 

narrative-art

# 

print

# 

pen sketch

# 

pencil sketch

# 

figuration

# 

ink

# 

italian-renaissance

# 

engraving

# 

pencil art

Dimensions height 204 mm, width 145 mm

Editor: This engraving, "Holy Family with the young John the Baptist and an angel" by Giulio Bonasone, probably made sometime in the mid-16th century, has such an intimate feeling. I am curious about your perspective; what symbols do you see playing out in this image? Curator: Immediately, the radiating halo around Mary’s head grabs my attention. It's a conventional symbol, of course, denoting holiness, but its prominence here suggests something more. The angel above carries a wreath—often a symbol of victory or perhaps, in this context, of divine favor. What kind of victory might Bonasone be hinting at, do you think? Editor: Maybe it’s a victory over sin or death, given the religious context? And the children embracing—is that meant to represent something beyond just familial affection? Curator: Precisely. Think about the cultural memory imbued in the embrace itself. The two infants could prefigure the relationship between Jesus and John, suggesting foreshadowing and recognition. In the pre-baptismal moment, the viewer is prompted to understand its cultural meaning, not just what is physically in front of them. What impact might that have on a 16th-century viewer encountering such an image? Editor: I guess it adds layers of meaning, connecting them to shared stories and beliefs. It’s not just a family scene, but a powerful representation of faith and destiny. The building in the back is not particularly naturalistic - does this play into the reading? Curator: It does, indeed. It evokes an imagined, perhaps idealized setting, far removed from earthly imperfection. We understand cultural memory through the layering of space and people. Editor: It’s fascinating how much these visual cues, some so subtle, shape our understanding of the whole artwork. I’ll never look at religious art quite the same way again. Curator: Exactly! Visual analysis reveals history embedded within these images; art is less about passive observation, and more a conversation between present and the past.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.