Untitled 

Here we have an untitled work by Myron Stout, composed of stark black and white geometric forms. This visual vocabulary, though abstract, resonates with a deeper symbolic language. The interplay of black and white, darkness and light, evokes the ancient motif of duality found across cultures—yin and yang, day and night, the Apollonian and Dionysian. These opposing forces, eternally dancing, represent the fundamental tensions of existence. Consider the checkerboard pattern, a motif that surfaces from ancient games to heraldic emblems, and even in the architecture of the Renaissance. It represents order and chaos, strategy and chance, reflecting a world where opposing forces seek balance. This symbolic language, seemingly simple, speaks to our collective memory, engaging subconscious associations that transcend time. Stout's composition, with its stark contrasts and geometric precision, taps into this reservoir of cultural memory, reminding us of the timeless dance of opposing forces that shape our understanding of the world.