Assumption of the Virgin c. 19th century

Editor: Here we have Agostino Lauro's "Assumption of the Virgin". It’s an engraving, and I’m struck by the detail in the Virgin’s robes, and all the angels. What can you tell me about the making of this work? Curator: Well, consider the labor involved in creating such intricate details through engraving. The artist’s skill and time become commodities in themselves, reflecting the values placed on craftsmanship. Editor: So, it's not just about the religious subject, but about the artist's labor? Curator: Exactly. Think about the materials too: the metal plate, the ink, the paper. Each with its own history, source, and economic implications. How do these elements challenge the high art/craft divide? Editor: That makes me think about how accessible prints were, compared to unique paintings. Thanks, I never thought of it that way! Curator: It's all about the means of production and how they shape our understanding.