These three photographic reproductions of drawings of wall decorations were made by an anonymous artist. Their architectural style and use of classical motifs suggest they may have been produced in Italy. These drawings may have been part of a series of designs that were displayed to attract wealthy patrons. The images are clearly intended to evoke a sense of grandeur and luxury, which would have appealed to the elite classes of the time. The decorations themselves are replete with images of wealth and power such as garlands, heraldic devices and mythological scenes. They were likely intended for the homes of nobles, merchants, or high-ranking clergy. The overall effect is one of classical grandeur and ostentatious wealth. The historian can use architectural treatises, period inventories, and social histories to understand better the cultural meanings of these designs. The role of art is contingent on the social and institutional context in which it is created.