drawing, paper, ink
drawing
paper
ink
calligraphy
This is a letter written by Germaine Wenziner to Philip Zilcken and Henriette Wilhelmina van Baak, penned in Saanen, Switzerland, in July 1919. It is a handwritten document that offers a glimpse into the intellectual and social landscape of post-war Europe. The letter speaks of anxieties, the unease, and the moral fever of the time. Wenziner references Brussels, suggesting a connection to the artistic circles of Belgium, a country still reeling from the ravages of the First World War. There's a sense of grappling with materialism and a yearning to elevate the spirit. In it we can see the re-emergence of idealisms. Understanding this letter fully requires delving into the histories of the individuals involved, the artistic movements they were associated with, and the broader socio-political context of Europe in 1919. The archives of art institutions, personal papers, and historical societies would be invaluable resources. The meaning of this letter lies not just in its words, but in the historical currents that carried it.
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