Zelfportret c. 1920

This self-portrait by Bob Hanf, made with chalk, captures an intriguing blend of vulnerability and formality. The charcoal feels both immediate and considered, like a thought caught mid-stream, and the limited palette really emphasizes the texture of the drawing. Look at how Hanf coaxes depth and emotion from simple marks; the smudged shadows around his eyes, the soft, almost hesitant lines defining his bow tie. There's a beautiful tension between the raw, expressive strokes and the more refined details, like the subtle shading on his face. It's as if Hanf is revealing himself, but also holding something back. The drawing is full of erasure marks; these ghostly reminders speak to the labor of making a likeness, but also the impossibility of ever truly capturing a self. The subdued tones and introspective mood remind me of some of Paula Modersohn-Becker’s portraits. Ultimately, this piece is a reminder that art is an ongoing conversation, full of echoes and shared explorations, and that the beauty of art often lies in its ambiguity.