print, engraving
portrait
neoclacissism
engraving
realism
Dimensions height 280 mm, width 200 mm
Curator:Alright, let’s talk art. Editor:We’re looking at a print called *Portret van Ernst August, koning van Hannover*, made sometime between 1829 and 1840 by Carl Mayer. It’s currently hanging in the Rijksmuseum. He looks like a stern dude! I find the detail achieved through engraving quite remarkable, especially with his military garb. What jumps out at you about this piece? Curator:Stern indeed! Well, for me, it's the performance of power, isn't it? Ernst August is presented here not just as a man, but as an embodiment of authority. I keep wondering about the weight of all that decoration; all those shiny little symbolic trinkets. Almost makes one yearn for simpler times. What do you think, is there an effort here to humanize this figure, or is it pure state propaganda? Editor:I see your point about the "performance of power"! I guess there is some humanity in the eyes? Maybe? But he looks so rigid. It almost feels… distant, in a way that’s meant to inspire awe, not warmth. The artist’s realism style seems to work in tension with his aristocratic attitude. Is that Neoclassical influence doing some of the work there? Curator:Ah, good question! The Neoclassical elements contribute that sense of stoicism and order, definitely. It’s all very carefully constructed to project an image of unwavering leadership. It certainly begs the question of whether the artist believed in the hype, or simply skillfully executed a commission. Editor:It's fascinating how much you can unpack from a seemingly straightforward portrait. This was fun! Curator:Agreed, the layers within art, aren’t they simply marvelous! Makes one think!
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