Parrot 1919

Curator: Look at this remarkable woodcut titled "Parrot" created in 1919 by M.C. Escher, executed with ink on paper. Editor: Immediately, I'm struck by its stark contrast and geometric qualities. It’s a really powerful image with those sharp angles, quite unsettling in a way. Curator: The figure certainly appears fragmented, almost crystalline. Knowing Escher's fascination with mathematics, and his later experiments in tessellations, you have to wonder about his interests in geometry at this stage. What symbols resonate with you as you view this bird? Editor: The parrot is loaded with symbolism. Historically, parrots have been associated with mimicry, communication, and even prophecy. Their ability to "speak" makes them messengers, and in some cultures, tricksters. That open beak, it feels like it’s poised to reveal some truth or maybe just mock us. It almost reminds me of how they are presented as familiars for witches. Curator: I'm drawn to the technique here. The density of the lines to create shadow, especially against the flat black background achieved via the woodcut printing process is striking. Escher's mastery is evident when you consider the labor-intensive methods that would have gone into the art. Editor: I agree. Also consider parrots, so far from Escher’s local geography. Parrots symbolized exotic locales, colonial trade routes and all the commodification involved with bringing wild beings into human spaces. Curator: Exactly! Perhaps that tension between the natural and the constructed is what makes this piece so compelling. What is more interesting, that geometric rendition, or that commentary regarding global trading and exotification it could reveal? Editor: It makes you ponder the many layers, the intersection of artistry, symbol, and the material world all coalescing into this one potent image. Curator: Yes, definitely makes one wonder about the layers between reality, representation, and artistic craft involved when creating these objects.