Portret van Daniel Colonius 1781 - 1783

Editor: So, this is Pieter de Mare’s "Portret van Daniel Colonius," dating from 1781-1783. It’s an engraving, currently held at the Rijksmuseum. There's a serene formality about it that reminds me of classical sculptures. What catches your eye when you look at this piece? Curator: Ah, Daniel Colonius… He stares intently to the left. See how the engraver meticulously rendered his features, particularly the prominent nose? One can almost smell the printer's ink! I’m always drawn to portraits; they feel like a direct line to the past. And I am left wondering, how did Colonius, feel about having his portrait done? Editor: I was wondering about that too. He doesn't exactly look thrilled! What is it about engravings from this era that gives them such a distinct character? Curator: Well, during the rise of Neoclassicism, there was this huge emphasis on line and form over flamboyant color. This pursuit of "ideal" beauty also informed how people wanted to be seen, presented even. But there is some beauty to the austerity here, what do you think? Editor: You're right, there’s definitely an elegant simplicity. Also, I never really considered how artistic movements would affect one's choices. I like seeing how they subtly affect all aspects of daily life. Curator: Indeed. And by focusing on profile, de Mare created something lasting. That image continues to inspire conversation centuries later! I appreciate the details so much more now. Editor: Definitely! Thanks for opening my eyes to a new perspective. I am always wanting to know what everyone else is thinking.