Xylophone and Lyre, from the Musical Instruments series (N121) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco 1888
drawing, coloured-pencil, print
portrait
drawing
coloured-pencil
coloured pencil
genre-painting
musical-instrument
Dimensions Sheet: 2 1/2 × 4 1/16 in. (6.4 × 10.3 cm)
Editor: So, this piece is titled *Xylophone and Lyre* from 1888, and it's actually a promotional print for Honest Long Cut Tobacco made by Duke Sons & Co. I find it really charming! The pastel colors and idealized figures give it this delicate, almost dreamlike quality. What can you tell me about its broader context? Curator: Well, these cards are fascinating relics of late 19th-century consumer culture. Think of them as miniature advertisements, strategically inserted into cigarette packs. How do you think this imagery— refined women playing musical instruments— functioned within the world of tobacco advertising? Editor: Hmm, it’s definitely not what I’d expect. I suppose it aimed to associate smoking with refinement and sophistication, classing it up. Was this a common strategy? Curator: Precisely! Tobacco companies actively cultivated this image. The cards weren’t just about selling tobacco, but about shaping a lifestyle. The cards targeted a rising middle class aspiring to emulate wealthier elites. And look closer. Are the women realistically rendered, or are they types? Editor: They feel like types, definitely idealized versions of femininity. So this card isn't just a picture of women and instruments; it's an artifact loaded with social meaning. The idealized portrayal is interesting; it's marketing through aspiration, I see it. Curator: Exactly. These promotional cards reveal so much about the societal values, gender roles, and commercial strategies of the Gilded Age. The cards are artifacts reflecting power dynamics, projecting specific values onto consumers and, in a way, dictating their role within society. Editor: Wow, I didn’t think a simple cigarette card could be so insightful! It really does change the way you look at things. Curator: Precisely. The seemingly mundane objects often tell us the most compelling stories.
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