Breakfast In Belgium 

Dan Graziano painted this scene of "Breakfast in Belgium" with oils on what appears to be a prepared panel. Although the subject matter feels casually observed, Graziano’s loose brushwork is a studied effect. See how he layers tones to define the man’s form, using visible strokes to build up both light and shadow. This is a far cry from academic painting, where brushstrokes are blended to disappear. There's a sense of immediacy and intimacy in the work which is enhanced by its small scale. This is a work of observation but it is equally about the act of painting, the handling of the material. Ultimately, the painting reminds us that what seems like a spontaneous gesture is actually the result of material knowledge, honed skills, and careful control. Appreciating the labor that has gone into it gives us insight into how it was made, and a glimpse into the artist's skill in capturing the essence of this everyday scene.