Twee kinderen met een vaandel en een trommel by Cornelis Schut

Twee kinderen met een vaandel en een trommel 1618 - 1655

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drawing, intaglio, engraving

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drawing

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baroque

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pen sketch

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intaglio

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old engraving style

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figuration

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genre-painting

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engraving

Dimensions height 35 mm, width 119 mm

Editor: We're looking at "Two Children with a Banner and a Drum" by Cornelis Schut, created sometime between 1618 and 1655. It's an engraving housed at the Rijksmuseum. It's small and quite lively, almost like a sketch. What's your take on it? Curator: I see this engraving as a fascinating window into the complex relationship between childhood, power, and representation in the Baroque period. These children aren't simply innocent figures; they're wielding symbols of authority—a banner and a drum, hinting at themes of militarism and perhaps even propaganda. How do you think this work intersects with broader conversations about social hierarchies during that era? Editor: That's interesting! I hadn't considered the potential power dynamics. It's so easy to just see them as cute kids playing. Curator: Exactly! The "cute" is a carefully constructed facade. Think about it: what does it mean to portray children as miniature soldiers? How might this relate to the art's patronage and its intended audience? Editor: Maybe it was meant to inspire patriotism? Or perhaps comment on the way children were used as symbols? Curator: Both are plausible. But consider, too, the economic underpinnings of war and how these children, even symbolically, are integrated into that system. Also, the very notion of childhood was undergoing significant shifts in the 17th century. This image captures a specific, politically charged vision. It definitely makes you think. Editor: I guess it challenges the romanticized idea of childhood we often have. It seems to say children have always been implicated in historical and social events, even when we don't realize it. Curator: Precisely! It encourages us to critically examine seemingly simple images and unravel the layers of meaning embedded within them. I wonder what new connections can we build with our contemporary perspective to address the exploitation and political visibility of children around the globe? Editor: Definitely food for thought. Thanks for helping me look beyond the surface!

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