Bos op de Cap Martin bij Monaco before 1903

This print, "Bos op de Cap Martin bij Monaco" by Franz Goerke, captures a forest scene with incredible detail using a monochromatic palette. It’s not just about rendering what’s there, it’s about a journey of looking and responding. The texture here feels almost tangible; you can practically feel the roughness of the bark and the density of the foliage. The choice of printing allows for a full tonal range, and look at how Goerke captures the light filtering through the leaves. I love the way the trees curve and reach across the composition, their branches creating a network of lines and shapes, each mark feels considered. It’s like he’s trying to map out the structure of the forest, its hidden depths and unexpected twists. It reminds me of how Agnes Martin used lines to evoke a sense of space and atmosphere, even though their styles are worlds apart. For me, this piece is all about embracing the process, and the dialogue between artist and subject.