Dimensions: support: 502 x 648 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: James Dickson Innes painted this landscape, South of France, Bozouls, near Rodez. There isn't a confirmed creation date, though Innes died young, in 1914. Editor: My first impression is one of tranquility. The light, airy brushstrokes and muted palette create a sense of peaceful distance, despite the clear signs of labor. Curator: Indeed. The painting, rendered on a support of 502 by 648 mm, offers a glimpse into rural life. Note the stone walls, the figures walking along the path. These are all constructed. Editor: The presence of what appear to be birds in flight, juxtaposed with the architecture, could symbolize freedom and human constraints. Curator: Perhaps. Or it could simply be a formal element of the composition, reflecting Innes's understanding of materiality in landscape painting. The labor and craft that went into building this landscape are not separate from the art. Editor: I see your point, but I still feel the birds offer a visual metaphor for something beyond the physical world, contrasting the solid permanence of the buildings. Curator: It's a nice interpretation, and there is likely room for both. Editor: Ultimately, the charm is the combination of the quotidian and the transcendent.
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http://www.tate.org.uk/art/artworks/innes-south-of-france-bozouls-near-rodez-n03468
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In 1908 Innes travelled in France for the first time, in the company of the artist John Fothergill. They stayed near Bozouls in Southern France, where Innes drew and painted the landscape. These paintings were the most Impressionist of his short career, following the example of Wilson Steer, his teacher at the Slade School. The brilliant blue sky is flecked with wispy clouds, and the birds also catch the sunlight. Delicate touches of colour sparkle in the foreground.The two artists went on to Collioure on the Mediterranean, where Innes painted with more intense colours and a concentrated design, freed of detail. Gallery label, September 2004