Russians Drawn from Life (Oroshiajin no sho utsushi) by Utagawa Yoshikazu

Russians Drawn from Life (Oroshiajin no sho utsushi) 1861

0:00
0:00

Copyright: Public Domain

Curator: Oh, my, isn't this Utagawa Yoshikazu print from 1861 something? "Russians Drawn from Life." The Art Institute of Chicago snagged a good one. Editor: It’s so… unexpected. My first impression is utter amusement mixed with bewilderment. There's a slightly unsettling charm. Like a skewed dollhouse scene with those bold colors. What is even happening here? Curator: Well, it's definitely a caricature, which was a popular ukiyo-e theme back then, especially when depicting foreigners. It’s fascinating to see how the artist interpreted—or rather, misinterpreted—Westerners. There's such playful, almost cartoonish exaggeration of their features and attire. Editor: Those enormous skirts! They’re like colorful, upside-down bells, aren’t they? And the proportions are just...off. Deliberately so, I suppose? I mean, look at the tiny man riding piggyback. He looks like a disgruntled ornament. What might those garments signify to the Japanese at the time? Curator: Ah, that’s where it gets interesting. These prints often reflected the blend of curiosity and suspicion toward foreigners that was brewing in Japan as it opened to the West. The clothes are a clear symbol, not just of foreignness, but of foreign customs that were often viewed as strange or even ridiculous. Editor: The ships out the doorway also draw my eyes... such a loaded image, these vessels! Almost mocking what will eventually make contact. Did people laugh at this imagery or fear it? Or perhaps both at the same time? It’s such a bizarre but strangely compelling historical document. The title says drawn from life. What an aspiration! Curator: It certainly puts a spin on what we perceive to be true about a historic encounter. Even the colors carry a weight: a sense of playfulness masking a deeper cultural tension. Yoshikazu’s image, it’s as if through this exaggeration he is commenting on a world on the verge of colossal change. Editor: I’ll never look at those ships the same way, especially after considering Yoshikazu's print!

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.